Mohammed Rafi, the renowned playback singer known as the "Shehenshah-e-Tarannum" (King of Melody), is celebrating his 100th birthday today. Rafi was born in Kotla Sultan Singh, Punjab (now in Pakistan), on December 24, 1924. His life was a voyage of unmatched musical grandeur. Although his death in 1980 left a lasting hole in the music industry, millions of people all over the world still find solace in his songs.
Encouraged by his family to help at the barbershop, Rafi’s life changed when he began practicing music inspired by the fakirs. His brother recognized his talent and encouraged him to pursue music, a decision that would eventually redefine his destiny.
He collaborated with nearly every significant music director of the era, such as R.D. Burman, Laxmikant-Pyarelal, S.D. Burman, and Naushad. Working with Naushad, he produced timeless masterpieces like "O Duniya Ke Rakhwale" and "Madhuban Mein Radhika."
Rafi will always be India's cherished "Shehenshah-e-Tarannum" because he still has a place in the hearts of millions of people, even decades after his death.
Early Years and Lowly Origins
Hajji Ali Mohammed has six siblings, Rafi being the second. In 1935, his family relocated to Lahore, where his father operated a barbershop in Noor Mohalla's Bhati Gate neighbourhood. Rafi had no interest in studies as a youngster. His musical journey began when he started imitating wandering fakirs who sang devotional songs.Encouraged by his family to help at the barbershop, Rafi’s life changed when he began practicing music inspired by the fakirs. His brother recognized his talent and encouraged him to pursue music, a decision that would eventually redefine his destiny.
The Turning Point: First Live Performance
At the tender age of 13, Rafi performed live for the first time. The occasion was a concert by the renowned singer Kundan Lal Saigal, held in Lahore. Due to a power failure, Saigal refused to perform. When the agitated crowd started to object, the organisers decided to let young Rafi sing. Rafi's first major break came when his performance enthralled the audience and made a mark on music composer Shyam Sunder.Make Your Playback Singing Debut
Under the direction of music director Shyam Sunder, Rafi performed "Soniye Nee, Heeriye Nee" in the 1941 Punjabi film Gul Baloch, launching his playback singing career. His voice may be heard in broadcasts from All India Radio Lahore by 1944. In 1945, he made his Bollywood debut with the Hindi film Gaon Ki Gori. Rafi came to be associated with Indian playback singing throughout the ensuing forty years.Rafi's Versatility in Voice
Rafi's remarkable vocal flexibility was what made him stand out. His ability to adapt his voice to fit any genre or actor was unmatched, whether it was in the religious song "Man Tarpat Hari Darshan Ko Aaj" or the romance ballad "Chaudhvin Ka Chand."He collaborated with nearly every significant music director of the era, such as R.D. Burman, Laxmikant-Pyarelal, S.D. Burman, and Naushad. Working with Naushad, he produced timeless masterpieces like "O Duniya Ke Rakhwale" and "Madhuban Mein Radhika."
Honours and Acknowledgements
Rafi received several honours during his career, including the National Film Award for Best Male Playback Singer and six Filmfare Awards. One of India's greatest civilian honours, the Padma Shri, was given to him in 1967.Worldwide Impact and Heritage
Rafi's influence went beyond national boundaries. His songs are still well-liked by the Indian diaspora throughout the world as well as throughout South Asia. Numerous vocalists have been influenced by his ability to express intense emotions via his voice, and this influence is still present today.Recalling the Legend
The ability of music to bridge divides and bring people together is still demonstrated by Mohammed Rafi's voice. Fans and admirers throughout the world honour the master whose songs endure on the 100th anniversary of his birth.Rafi will always be India's cherished "Shehenshah-e-Tarannum" because he still has a place in the hearts of millions of people, even decades after his death.
0 Comments